Posted on November 14, 2012
Posted on November 11, 2012
A core focus of Afrika Eye film festival 2012, is dedicated to celebrating 50 years of independence for Jamaica. Showing Jamaica in all its raw, gritty and glorious reality, the programme blends subtle hues of history and politics from the newest and best Jamaican films, guest curated by renowned artist of Jamaican heritage, Graeme Evelyn. Evelyn has chosen three films for the festival LIFE AND DEBT, BETTER MUS’ COME, and THE FADE.
Posted on July 13, 2012
Posted on April 2, 2012
Posted on March 16, 2012
THE QUEENS GALLERY EDINBURGH 2012
Contributed to the film which will accompany the forthcoming exhibition at The Queens Gallery, Palace of Holyroodhouse that “Brings together some of the finest treasures from the Royal Collection to celebrate Her Majesty’s Diamond Jubilee in 2012”. Requested by The Royal Collection to give insights as a contemporary artist, into the profound significance of the seventeenth century sculpture, the very poignant and beautiful Bust of the Moor by John Van Nost.
Posted on June 11, 2011
Reading The Riots
You may have read reports about the two major riots in Stokes Croft, Central Bristol UK in April 21/28 2011. I have lived and worked in this area for over a decade. In 2009, the new Museum of Bristol commissioned and acquired the large painted
relief sculpture, Reading the Riot (Act). a permanent work acquired for their new contemporary art collections.This commission is on view in the M-Shed Museum of Bristol which is now confirmed to open 17 June 2011.
In 2007, I subverted the Bristol Museum and Art Gallery collections and displays in scenes during the filming of The Two Coins: Meditations on Trade; Due to the films critical success, I was approached to create an uncompromising and
challenging piece regarding the long history of dissent within the city, which in retrospect , since the riots in Stokes Croft, Bristol and democracy protests internationally, Reading the Riot (Act) currently seems strangely prophetic.
For Reading the Riot (Act), I chose to subvertise the museum and subvert historical record. Utilising a large discarded gambling table from a former burnt out local Chinese Restaurant, I used detail from images taken from the Bristol 1831 riots
illustrating the poor protesting for the right to vote nationwide – cut down by the sabre armed horseman after Reading the Riot Act for all to disperse. Directly opposite, with the identical action of the armed horseman, an overseer whips the enslaved- taken from an abolitionist image during the same year. Surrounded by the West African proverb, “If you choose to dance with a crocodile, you must be prepared for when the music stops”.
The resonance with our current socio-political and financial state of affairs is given its most fitting memorial, as a spinning record.
Reading the Riot (Act) is on view in the Museum of Bristol
Saint Stephen’s Reconciliation Art Foundation
On Friday 20th May, the introduction and first fundraising event towards the Saint Stephen’s Reconciliation Art Foundation with a visionary keynote address and piano performance/voice of incredibly resonant virtuosity by Paul Gladstone Reid MBE set the precedence for the broader intention of the Foundation. The foundation is a direct continuation of the Saint Stephens Church’s commitment in its support of the vital function that visual art creates for society and community healing, exemplified by the overwhelming national and international critical success of its first Artist In Residence program and commission the Reconciliation Reredos.
Saint Stephen’s Reconciliation Art Foundation
Apart from coming to the end of my tenure as Artist in Residence, I am involved in the formulation of the Saint Stephen’s Reconciliation Art Foundation which aims to support high quality International and UK artist residencies for emerging visual artists, continuing work and discourse on social reconciliation through the arts by raising £60K in over two years for programming of high profile public works. The foundation is a direct continuation of the Saint Stephens Church’s commitment in its support of the vital function that visual art creates for society, exemplified by the overwhelming national and international critical success of its first AIR program and commission the Reconciliation Reredos. www.saint-stephens.com/2011/01/bristol-reconciliation-reredos-revealed/
An introduction to the Saint Stephen’s Reconciliation Art Foundation and the first of its fundraising events is on Friday 20th May with keynote address and piano performance by Paul Gladstone Reid MBE.
Paul Gladstone Reid is a versatile award winning composer, musician and producer. His work and experience cover a plethora of genres from classical, opera, gospel, ballet, rock, pop, hip hop, jazz, world music, film, theatre and television. He is renowned for creating cross-cultural works of art and has collaborated extensively with such artists and filmmakers as Academy Award winning director, Danny Boyle, artist and filmmaker, Isaac Julien, actors, including Sir Ben Kingsley and Sir Ian McKellen with The Royal Shakespeare Company and award-winning playwright, Kwame Kwei-Amarh among an extensive array of others.
Please take the opportunity to examine this extraordinary artist and cultural visionary. SAVE THE DATE, RSVP! Experience this remarkable event, keynote speaker and performance. Saint Stephen’s Church. Friday 20th May 2011
Reredos Artist in Conversation and Performance
St. Stephen’s Church, Bristol
22 January 2011 1pm- 4pm Free Entry
‘The Art of Reconciliation’ : conversation, reflection and resolution - with Artist in Residence Graeme Mortimer Evelyn at Saint Stephen’s. The unveiling of strong and icon-like work at the altar opens issues of power and inspiration, abuse and reconciliation. The work entitled Bristol Reconciliation Reredos are large-scale hand carved relief and painted altar-piece panels, which responds to Saint Stephen’s Church’s past links with the slave trade and our future together, which demands our attention in the contemporary.
Please come and join artist Graeme Mortimer Evelyn in conversation with curator Kat Anderson about this very unique public art commission for St. Stephen’s Church. The event will also feature a special performance by sound and performance artist Juan Gabriel Gutierrez. The event is free but space is limited so please book. Please contact:firstname.lastname@example.org
The Bristol Reconciliation Reredos will be open to the public from the 21 January 2011. Check link below for latest news updates and description of the Reconciliation Reredos Altarpiece unveiling weekend www.saint-stephens.com/2011/01/bristol-reconciliation-reredos-revealed/
Posted on June 11, 2010
Saint Stephens Artist in Residence
As part of the artist in residence program, at Saint Stephens, I have been presenting a series of changing alternating exhibitions in Saint Stephens Café leading up to the unveiling of the Reconciliation Reredos in December 2010. These shows will present finished residency altarpiece study and research works, including an evolving visual mind map of collected and created material that has informed the approved design, as well as selections from a prolific and varied catalogue.
Reconciliation Reredos altarpiece studies acquired by collectors based in Manchester, Bristol and London
Three of these significant studies have been sold this year in anticipation of the unveiling of the altarpiece in December 2010. The painted relief sculptures entitled:
The Lords’ Lieutenant, Son of Ibo, San Elias and Saint Stephen, have been acquired by collectors in Bristol and Manchester respectively. The large painting Lopez, has also been sold to collectors in Paris.
The Weird and Wonderful Lost and Found
Solo exhibition now showing at Tapped and Packed, 26 Rathbone Place, LONDON W1 – August 6th to October 10th 2010.
Selection of painted relief sculptures, painting and prints.
Posted on November 30, 2009
Invited to attend and to be a panellist on Networks That Work For You with international curator Christine Eyene and Queen’s Museum NYC Director, Tom Finkelpearl. Caribbean Curatorship and National Identity is an examination of how history is interpreted and heritage is shaped by communal memory for audiences, old and new, local and foreign, in conjunction with the Museums Association of the Caribbean (MAC), the National Art Gallery Committee (NAGC), the International Curators Forum (ICF) and the International Council of Museums (ICOM).
Among some of the keynote speakers in attendance are Lonnie G Bunch, Smithsonian Institute African American Museum Director and Okwui Enwezor, Dean of Academic Affairs and Senior Vice President at San Francisco Art Institute. As a major curator, writer, critic, and editor, Enwezor has been a regular contributor to numerous exhibition catalogues, anthologies, and journals. He is founder and co-editor of the critical art journal Nka: Journal of Contemporary African Art published by the Africana Study Center, Cornell University.
Posted on August 11, 2009
Art Basel Miami 2009: The Global Caribbean: Focus on Caribbean
Contemporary Visual Art Landscape @ Little Haiti Cultural Center Dec 5th 2009
Attended the artist seminar hosted by curator of The Global Caribbean, artist Edouard Duval Carrie. Also on the panel discussion were many of the exhibiting artists showcasing contemporary art from the Caribbean, such as Hew Locke, Nicole Awai, Jean–Francois Bocle and Jocelyn Gardner among others. Discussed were artist visibility, the impact of the global art economy on contemporary art of the Caribbean and the significance of identity in generational shifts of cultural hybridity. www.edouard-duval-carrie.com
Caribbean Canvas exhibition at Multitude, Tele America Miami
Invited by the artist Phillipe Dodard to view his contribution to a Haitian group exhibition opening in Little Haiti Miami. Attended both Scope and Art Basel Miami.
International Curators Forum
In January 2010, completed an article published by the International Curators Forum
on the request of David A. Bailey highlighting the experience of the Caribbean Curatorship and National Identity conference in Bridgetown, Barbados and The Global Caribbean exhibition during Art Basel Miami in Dec 2009.
Princeton University Loan
Large print of Soiree du Coeur has been agreed to be on display, on loan to the Center for African American Studies at Princeton University. (View sculpture section @ www.graemeevelyn.com)
Arts Council England Funding awarded
Received confirmation of Grant for the Arts Funding for The Next Level. The project aims to use action research methods to evaluate the most appropriate models of professional and national/international arts practice development.
Reconciliation Reredos design approved!
The Bristol Diocese and Advisory Committee has formally approved of the designs for the Reconciliation Reredos and Reredos conservation project.